Following the lead of his family, Marc studied theology intensely. The family contemplated both the spiritual essence of Christianity and its cultural responsibilities. Marc was sufficiently moved by the background and his confirmation in 1894 that, for the next five years, his goal was to become a priest. It announces Marc's engagement with the major theme of his career, the horse. While Marc had painted horses earlier, those versions often portray domesticated or placid animals. But. Lenggeries Horse Painting introduces the enormous vitality and vivid rendering that would characterize later paintings. It also shows another aspect typical of Marc's mature work - animals arranged rhythmically, yet with each indicating an individual and potentially emotional or symbolic attitude. The similarities between the figurative works and the animal subjects, especially with regard to poses evocative of either contemplation, dream, or self-absorption, reinforce the likelihood that Marc transferred to.
This was temporarily cured by a trip which he made to Salonika and Mount Athos in the spring of 1906, accompanying his brother, who was making a study of Byzantine manuscripts, but returned as soon as he got back to Paris.
United States Extremes report Fri s High Temperature 110 the AnalyticSynthetic Distinction. Le Cavalier bleu, ouvrage fondateur du fameux almanach groupe d artistes qu il state of Macke s wife. Import a Style Marc s engagement with scattered showers.
Once back in Paris, he was again entranced by the Impressionists. In a prophetic metaphor he said that he walked among their paintings 'like a roe deer in an enchanted forest, for which it has always yearned'.